Millennium Time-Travel Edition - 1930's Street Scene
Here's the latest update for Millennium. This is an idea I've been considering for some time now and I've finally put it together and I think it will be the main image for the debut box.
Time-travel has always been a big part of the Millennium game and so I'm featuring that theme for the main box because it tells an interesting story right away that is not as apparent as other themes, such as survival, or the conspiracy that lead to nuclear war in America.
1970's Disco Scene
I think it's best to lead with a fun theme like time-travel because it is an unexpected theme for a game about the apocalypse but at the same time, it's an organic theme that ties in nicely.
After all, who would not be tempted to escape the apocalypse?
Time-Travel Card Deck
The deck of cards covering time-travel includes, the 1860's era, the 1920's, 1930's, 1950's, 1970's and other interesting time periods. So far, time-travel is an option in the game, an excursion or an adventure in time, where you accumulate more points. However, traveling back in time will set you back in the game timeline, which can cause you to lose the game.
Disco Music Scene
There will be mechanisms in place to make up for time-travel excursions, but you'll need a bit of luck to find them. Otherwise, you can stay in the midst of the Apocalypse and try to survive and rescue as many injured victims as possible.
Either way, the game provides plenty of options and ways to get more points and advance towards your chosen goal.
There are so many different ways to play and win this game and that's the appeal for me because there are not many hardcore rules and just about anything goes, especially if you play solo.
Winning the game as a team can also be a lot of fun as long as your team members agree to work closely together, but even then, teams can break up and players can go rogue if they want.
That's the beauty of this game and why every game is different and each player experience is never the same.
While your main objective is to find and rescue survivors, there are many dangers and distractions along the way that can take you off course and into strange places.
Lots to get to, people.
For more about the game, download the Rulebook (another work in progress) from the link up top.
Here's the latest version of the new Millennium game box. What I like about this one is that it feels more like the Apocalypse than the blue box. Keep in mind that this game focuses on post-apocalyptic events, although it has a combination of events without reaching far into a Dystopian future. Not yet, anyway. That idea is for expansions of the game in the near future.
New Millennium Game Box 2019
This new design keeps Andrea (the Android protagonist) and her trusty bull terrier, Apollo, on the cover with the city burning in the background. The blue box features the New York City downtown area with the Freedom Tower, as do some of the cards.
About The Background Art
At this point I still have to work that part of the city back into the story and into the artwork, but for now I'm using a generic cityscape on the cover.
Back of the box
Here's a better view of the back of the box. You can see some of the game components and the new game board with some of the poker cards alongside a phone with a video link to the past playing.
See The Rulebook On Your Phone
You can see the Rulebook, a video link (top links) and the newest video teaser on the right column. There's so much more to come. Soon I'll be posting a gameplay video after I order the newest prototype, which will be very similar or identical to this one I'm posting here.
This new game will most likely be available for purchase this coming Christmas, however, the official launch date is for the middle of 2019, give or take a month or so. I'll do my best to keep you updated on Twitter and on this blog.
Dig around this blog for much more about the history of this game and its evolution since 2016 when I first came up with this idea, which reaches far beyond the apocalypse with time-travel events and so much more.
So far I have one video link, but plan to add many more. You can also get the entire Rulebook on your phone and Andrea's personal Journal too. Andrea's journal opens up a whole new dimension to this game with plenty of background information about her life before the first bomb detonated over Killeen, Texas. (Sorry, Killeen. Somebody had to do it.)
Wyatt Earp Card Deck
I'm also adding several more really fun card decks aside from the Coney Island Deck and the Wyatt Earp Tombstone Poker Deck. There's so much going on I can hardly keep up, but I've got plenty of time to finish the game before the end of this year. Right now, it's about 90% done and I'm getting closer every day to that finish line (for now) until the first expansion in 2020.
Lot's to do guys. I'll get to it and hope to see you here again soon.
Please retweet this post on Twitter if you can and stay tuned for more surprises on the way.
Remember the scene in the movie Blade Runner 2049, when K (chased by Deckard) wanders into a theater or casino and encounters the Elvis Presley hologram? (Check it out below!)
What a scene! It's as if both K and Deckard are reaching another side; another dimension at the same moment in time.
But, just as K takes in the Elvis hologram, Deckard fires a shot that misses K's head by inches. The best part is that the Elvis hologram keeps on playing and skipping in the background while K and Deckard fight for their lives among holograms of go-go dancers and showgirls.
What's magical about this scene is that the Elvis hologram starts as background information that takes you into that setting and subconsciously hooks you to it, but towards the end of the scene, the Elvis hologram becomes part of the dialogue.
The juxtaposition of these images and events is what makes it work. It is a brutal fight scene played against an unusual performance backdrop. It's almost as if Elvis was another character in this scene.
The best part and most brilliant moment in this unforgettable scene is when Deckard admits to liking the Elvis song, Can't Help Falling in Love, and the guys decide to have a drink together. Lots of good subtext here.
"Wow, what a love-fest moment."
Wow, what a love-fest moment. How cool was that scene?
How can one not be inspired by this movie? Must be the cinephile in me but either way, this is what makes movies like this so memorable.
Hologram Bonus Card
Hologram scenes like this and others throughout the movie, are what inspired me to add a bit of comic relief to the Millennium board game. Hey, even the apocalypse has to have a bit of fun thrown in every now and then for levity and contrast.
Without elements like this in a movie, a book, or a board game, you run the risk of presenting a flat and linear plot with little appeal to the masses. I mean, who doesn't like a little Elvis or Frank Sinatra?
Who doesn't like a little Elvis Presley or Frank Sinatra?
I would love to use a Sinatra clip or image in the Millennium game but because of copyright issues and costs, that's always prohibitive. But that doesn't mean I can't use images or audio that evokes the Sinatra sound. There are plenty of resources in the public domain for that.
Millennium continues to be a work in progress that seems to have no end in sight. Sometimes, the more I dig into it, the more I find to add or improve.
Keep in mind, that if you're developing a game, many of its features are not clear to you at the outset. As you research your themes and POV's, new ideas emerge. At that point you can decide either to include an idea or disregard it.
Recently, I thought of including a zombie card deck to the game. And by that I mean for the purposes of this prototype, about 9 cards and up to 18 cards in the deck because 18 is the minimum for a Bridge Deck of cards on The GameCrafter. The reason I had not considered zombies in the first place was because Millennium is based on the Apocalypse, which is of course an unfulfilled biblical prophesy.
"Millennium is based on the Apocalypse,
which is, of course, an unfulfilled biblical prophecy."
Naturally, there are two camps of thought on this. One is literal and the other is based on fantasy fiction. And that depends on your religious point of view and beliefs. With a traditional background as a Roman Catholic, I'm inclined to believe the biblical account in the book of Revelation. However, I can understand why others favor a fictive POV based on the descriptions of this event in the bible.
Fair enough. I'm not here to debate or defend the book of Revelation and its authenticity.
My main goal is to develop a board game loosely based on the events mentioned in the book of Revelation. This is a game, after all and not a diatribe or a means to convert skeptics or to promote any religious agenda. That approach, in fact, would kill any chances of this game seeing the light of day.
Fair enough.
I'm not here to debate or defend
the book of Revelation and its authenticity.
In the end, forgive the pun, I've kept in mind a bit of advice that I've gleaned from one of my favorite writer's and stuck by it. Ernest Hemingway always admonished to start with one true sentence and that everything will stem and flow from there.
I believe that entirely. And with that approach, I've set out to design and develop the best post-apocalyptic game with my personal spin and a game that I feel others will enjoy as well. A tall order for sure, but I also know that nothing worth while comes easy.
Event Chit
So far I'm in my second year of development with Millennium and nothing is set in stone as far as I'm concerned. The only sure thing is the main theme because everything grows and evolves from that. The nuances of the game and what makes it interesting and fun to play is all debatable. I've yet to figure all of that out but I think I'm getting close.
I'm not looking to set this game in a Dystopian future because that's too far from the events of the Apocalypse. Millennium is based on a post-apocalyptic setting, which in turn was triggered by the events of 2001 after 9/11. These are all minute but important differences.
Ironically, in this story,
the nuclear attacks are suspected to be home-grown.
The September 11 events in the new Millennium were the catalyst that unleashed a nuclear attack in 2157. Ironically, in this story, the nuclear attacks are suspected to be home-grown. A conspiracy unlike any other in American history. Now, there's an angle.
While I enjoy Dystopian stories, most of them deal with futuristic settings that are far removed from the initial conflict and the after-effects of nuclear war, which is when people will be the most vulnerable, shaken and confused. It is when total chaos reigns supreme and governments are in total disarray, and society is in scramble mode.
And a time when every man and woman and every child will have to fend for themselves. There's enough conflict right there to fill the entire game. Anything else I decide to add beyond that is icing on the cake.
I have a realistic deadline to finish this game.
That being said, I have given myself a realistic deadline to finish and publish this game. Shooting for mid to late 2019. Remember that nobody gives a flyin' you know what about the blood, sweat, and tears you've poured into your work. The end consumer only wants to know if your game, based on its main theme, is going to be fun and exciting to play (at least several times).
Any designer who thinks their precious game will be played over and over to rave reviews is kidding themselves because there are just too many game choices out there and too little time to play them all. These days, most gamers will play their favorite game several times at first until another offering catches their attention and they shelf your game indefinitely.
Meaning that the shelf life (in homes, not stores) can be a long one for many games. Brisk sales or the lack thereof in stores will certainly dictate the shelf life of any game or product. It's just that simple.
Impulse Buyers and Collectors
In reality, I'm designing this game for impulse buyers and collectors. Those are key consumers because they can be your best and most loyal influencers. Attracting gamers of any other kind, be it hard-core gamers, casual gamers, new gamers, is all about trickle-down marketing, which grows exponentially from players who buy your game based on the thematic concept and maybe even the game components alone.
These types of consumers are sold on your packaging, the main theme, the game components, card decks, game mechanics, and above all, your unique take and POV about the world you've created.
In a nutshell, it's either love at first sight, or an emphatic pass.
What's it going to be for you?
That's hard to say but if you design a game that you'd love to play but you can't find, and you capture the look and feel of the era and the world you want to experience on a deep and meaningful level, and you are honest and devoted to the game's mechanics and its overall intention, and the art and characters appeal to the masses, I think you stand a good chance at succeeding in this business.
Other than that and you're just spinning the wheels and gears of a dream without any conviction or direction whatsoever.
In other words, it can be a total waste of everyone's valuable time, especially yours.
If you want to avoid that scenario, all you have to do is put your mind, your heart and soul into everything you do and dedicate as much time as you can towards it and good things will happen.
That is hopefully the likely outcome.
So don't overthink it. Don't worry about how you will achieve it. Just dive into it and learn along the way until you see a way through and a way out to the other side.
I think Jim Morrison of The Doors, said it best: "Break on through to the other side."
You gotta love that.
Here's the new Millennium teaser with that BladeRunner vibe. I was looking to evoke a feeling and immerse viewers into the world of the new Millennium, a bit Dystopian here, but nevertheless it works.
